Nationale Dag van Waarde Oirschot
Voor veel mensen is het benaderen van een taxateur iets waarmee ze niet vaak te maken krijgen.
top of page
TAXATIES / VALUATIONS
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. I’m a great place for you to tell a story and let your users know a little more about you.
TAXATIES / VALUATIONS
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. I’m a great place for you to tell a story and let your users know a little more about you.
TAXATIES / VALUATIONS
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. I’m a great place for you to tell a story and let your users know a little more about you.
Hans Keuls
'Rhythm of the hand'
PETER’S EXPERT EYE
'Hans Keuls (1956) is a professional artist, educated and inspired by great Dutch painters. His warmth and great personality shines through his work!
I had spent a lifetime collecting Contemporary Art when I came across his paintings, completely by coincidence, in the late summer of 2010. As an avid art collector, I was completely surprised and overwhelmed by the way his work touched me at first sight. The way he uses his hands, spatulas and brushes to influence the intensity of the colors struck me deeply.
Inspired and enthousiast, I was anxious to see more of his works; I felt a deep connection to his open minded personality, his love for music and rhythm, his fascination for nature, and the way he approaches new views.
The artwork by this impressionist painter is presented by us to art collectors in our gallery in Oirschot, The Netherlands as well as in the USA, Japan, Taiwan and China'.
Violet Blue Spring Rhythm Field| 120 x 220 cm
About the artist
'It seems my paintings are taking me back to the 19th century, without me losing the paranoia and idiocy of the present'.
Hans Keuls
Hans Keuls Collection
Hans Keuls Collection
bottom of page